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Interview with Kindergarten Teacher and Children's Book Author, Tina M. Cho
Welcome back for the third episode of Chalk and Ink, the podcast for teachers who write and writers who teach. Meet kindergarten teacher and children's book author, Tina M. Cho. In addition to over 200 leveled readers, Tina is the author of Rice from Heaven: The Secret Mission to Feed North Koreans, Korean Celebrations, The Ocean Calls: A Haenyeo Mermaid Story, My Breakfast with Jesus: Worshipping God Around the World and a lyrical graphic novel slated for 2023 newly renamed as The Other Side of Tomorrow. In this episode, Tina talks about Oprah teaching moments, sentences that flow like music and female Korean deep sea divers called Haenyeo. During our chat, I reference these blog posts that feature Tina: Beth Anderson's Blog: "Mining for Heart through Bonding & Back Matter" Kidlit 411: "Author Spotlight: Tina M. Cho" Tina mentions this post where she dives deep into lyrical writing: Grog: "How to Write a Lyrical Picture Book: A Self Study" We also mentioned two Holocaust graphic novels. I named What the Night Sings which is a young adult novel by Vesper Stamper and Tina mentioned Hidden: A Child's Story of the Holocaust by Loic Dauvillier. According to Tina, every elementary classroom should have the following books: Dozens of Doughnuts by Carrie Finison because what elementary teacher doesn't want a book about doughnuts, math and sharing?! Be Kind by Pat Zietlow Miller because teachers are always looking for ways to model kindness in and out of the classroom. The Invisible Boy by Tracy Ludwig because it's about a boy that people don't see because he's not as cool as the other students. At the end, people play with him. In the beginning of the book, the boy is illustrated in black and white because he's invisible. But by the end, the boy is illustrated in color like everyone else. Also, Tina likes this book because it has a reference to Korea. Finally, I'd like to say that this book is one of my current fourth grader's favorite books. Happy listening! 
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Interview with Brenda Maier, Author of The Little Red Fort, Peeping Beauty and The Little Blue Bridge and Talented and Gifted Elementary School Teacher
Thanks for listening to the second episode of Chalk and Ink, the podcast for teachers who write and writers who teach.
It was an absolute pleasure to talk with Brenda Maier, talented and gifted elementary teacher in Tulsa, Oklahoma and the author of The Little Red Fort, Peeping Beauty and The Little Blue Bridge. If you've been procastinating when it comes to writing, you'll be inspired by Brenda because she manages to balance a full-time teaching job, writing and raising five kids. In addition to inspiring listeners to prioritize their passions, Brenda shares ways to push students' critical thinking with perspective exercises and encourages people to read widely so that we can can increase kindness and empathy in our world. Brenda recommends that all elementary school teachers have these four titles in their classrooms: 1)What If, a picture book about resilience written by Samantha Berger and illustrated by Mike Curato. 2)Alma and How She Got Her Name, a picture book that encourages each child to tell their story by Juana Martinez-Neal. 3)The Wall in the Middle of the Book, a picture book about assumptions we make about characters by Jon Agee. 4) We Are Grateful: Otsaliheliga, a deceptively simple and lyrical picture book told from the perspective of a Cherokee Nation citizen, written by Traci Sorell and illustrated by Frane Lessac. Happy listening!
Interview with Angela Shante, Author of The Noisy
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 Okay, I admit it. I begged Corbin to go on the porch and tell Anders how to salvage Tom's hair! It worked. Three weeks later it looks great! |  There's Buck again! Corbin did an awesome job cutting Anders' hair. Check out the final product in the other haircut picture. |
The end of the school year is drawing near, but you still need to fit in more opinion writing activities. If you adhere to Common Core standards or teach in Massachusetts, opinion writing is our first writing standard:
Writing Standard Text #1
Text Types and Purposes
Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
Of course, a first-grader’s opinion writing looks very different from a fifth-grader’s opinion piece. But the purpose is the same-to express passion about a topic and convey to readers why that topic is important.
So head on over to www.studentssendinglove.com and sign up to have your students send their opinion writing to nursing homes telling the workers why they are heros.
Writing Standard Text #1
Text Types and Purposes
Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
Of course, a first-grader’s opinion writing looks very different from a fifth-grader’s opinion piece. But the purpose is the same-to express passion about a topic and convey to readers why that topic is important.
So head on over to www.studentssendinglove.com and sign up to have your students send their opinion writing to nursing homes telling the workers why they are heros.
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Happy writing!
I’m participating in an advanced picture book intensive with agent Sean McCarthy through Inked Voices. If you are a writer and don’t know about Inked Voices, I suggest you check out the organization. This is the fourth Inked Voices workshop I’ve participated in, and I’ve learned a lot from each one.
The format of the intensive workshop requires that you submit three picture book manuscripts. Then, revise one manuscript and submit it two more times for submission.
After the first round of submissions, most participants agreed that I should work on revising my manuscript, which was then called Chicks Rule, Dogs Drool. Sean McCarthy not only thought I should revise it, he thought I should start from scratch. He had various reasons such as the first format didn’t have high enough stakes, the story didn’t support the scientific concept I talked about in my back matter, and the main character wasn't clear.
After gnashing my teeth, I started over. I read a bunch of Aesop’s fables and stories that featured relationships between predator and prey such as The Lion Inside by Rachel Bright and Jim Field, which I love.
So, I rewrote my manuscript in the rhyming style of The Lion Inside. Besides the fact that I lacked consistent meter, the version didn’t work. As my critique group member Sarah Brannen said, “You’ve solved the problems the agent talked about, but created a host of new ones.” More people chimed in with various ways to strengthen the manuscript and someone said, “You need a Greek chorus, like The Little Red Hen.” Then, the critique group itself became a Greek chorus as they all heartily agreed.
If I was going to try writing my story with a Greek chorus like The Little Red Hen, I had to read various versions of The Little Red Hen. It was super fun, and I learned a lot. I thought I’d share my observations on each version of The Little Red Hen in case educators are looking to study The Little Red Hen.
The format of the intensive workshop requires that you submit three picture book manuscripts. Then, revise one manuscript and submit it two more times for submission.
After the first round of submissions, most participants agreed that I should work on revising my manuscript, which was then called Chicks Rule, Dogs Drool. Sean McCarthy not only thought I should revise it, he thought I should start from scratch. He had various reasons such as the first format didn’t have high enough stakes, the story didn’t support the scientific concept I talked about in my back matter, and the main character wasn't clear.
After gnashing my teeth, I started over. I read a bunch of Aesop’s fables and stories that featured relationships between predator and prey such as The Lion Inside by Rachel Bright and Jim Field, which I love.
So, I rewrote my manuscript in the rhyming style of The Lion Inside. Besides the fact that I lacked consistent meter, the version didn’t work. As my critique group member Sarah Brannen said, “You’ve solved the problems the agent talked about, but created a host of new ones.” More people chimed in with various ways to strengthen the manuscript and someone said, “You need a Greek chorus, like The Little Red Hen.” Then, the critique group itself became a Greek chorus as they all heartily agreed.
If I was going to try writing my story with a Greek chorus like The Little Red Hen, I had to read various versions of The Little Red Hen. It was super fun, and I learned a lot. I thought I’d share my observations on each version of The Little Red Hen in case educators are looking to study The Little Red Hen.
The Classics
Originally published in 1979, with a renewed 2001 copyright, Paul Galdone tells the classic tale. The Greek chorus is “Not I,” and the cat, dog, and mouse don’t get a single crumb of cake from the fed up hen. But they do learn their lesson, and always help out from that day forward. What I like about Galdone’s illustrations is that he showcases the secondary characters’ laziness one-by-one. The reader sees the cat sleeping on the couch, the dog napping in the hammock and the mouse snoozing in the chair.
I love Jerry Pinkney’s art. His illustrations are stunningly gorgeous. Like Paul Galdone’s version, the secondary characters, the goat, pig, dog and rat, get nothing. Their Greek chorus is also, “Not I.” Not only do the animals not receive any bread from the hen, but the reader doesn’t learn whether or not the secondary characters learned their lesson. One fun aspect of Pinkney’s version, is that all the animals have a color word in their name: the short brown dog, the tall black goat, the round pink pig and the thin gray rat. So, if you want to teach color words or focus in on adjectives, start with this book.
The Classic With A Twist
Full disclosure, before Philemon Sturges passed away he lived in my town. I never had the pleasure of meeting him, but out local library had his books. My sons loved this book, and we frequently checked it out from the library. This book has the classic Greek chorus of “Not I,” and the usual cast of secondary animals—a duck, dog and cat. But instead of baking a cake or bread, this Little Red Hen bakes a pizza. So, if your family has a pizza night, pick up this version.
Twisted Tales Inspired By The Classics
If you’d like to teach your learners some Spanish vocabulary, pick up this book. Ann Whitford Paul uses the Spanish names for the days of the week and the southwestern characters featured in the story: el conejo (the rabbit), la culebra (the snake) and la tortuga (the tortoise). Unlike the classic tale, each of these characters has his or her own saying to refuse to help. Instead of baking something, the iguana is throwing a party and has to do all the preparations herself. What’s nice about this version is the secondary characters realize their mistake and are too embarrassed to enjoy the party. Then, they come up with an idea of how to be helpful. After that, Iguana invites them to enjoy the leftovers.
Linda Urban created a fantastic bedtime story. The human family has been treating Little Red Henry like a baby and he decides to assert his independence until it is time for bed. The Greek chorus in this version is “Let me!” because each family member wants to do tasks for Henry instead of letting him try to do it by himself.
I love Brenda Maier's STEM story. Ruby, the little sister, is determined to build a fort even though her three lazy older brothers refuse to help her. Not only do they refuse to help her, but they insult her and tell her she doesn’t know “how to build anything.” Ruby is not deterred. Unlike the classic tales, the secondary characters have a chance to redeem themselves. In addition, there’s excellent back matter on the history of the folktale The Little Red Hen. To top it off, there’s a fun page that shows readers all the different types of forts they can build at home.
Happy Reading!
Happy Reading!
Buildings are closed, but school is in session. In fact, in some ways learning communities are more vibrant than ever. Students Sending Love is part of that vibrancy. The movement intends to send artwork, supportive letters and poems to every one of the 388 nursing homes in the state of Massachusetts. In order to reach that goal, we need help from every educator who reads this blog.
Let's face it. We went into education because we love kids, and we want to make our communities better places. We know that children are our future.
But they're not just our future, they're are present, too. Together, educators and students can send love to nursing home workers and residents right now. Don't wait for tomorrow. Sign up today.
Let's face it. We went into education because we love kids, and we want to make our communities better places. We know that children are our future.
But they're not just our future, they're are present, too. Together, educators and students can send love to nursing home workers and residents right now. Don't wait for tomorrow. Sign up today.
Hey, fellow elementary teachers! Next week my district is switching from optional distance learning to mandatory learning. For us, part of that switch means that instead of having an activity board, we're supposed to develop lessons for the week that connect to one another.
If you're a second, third or fourth grade teacher, here's a measurement lesson that you can split into a couple of days. Here are the second, third and fourth-grade Common Core Standards the lesson covers:
If you're a second, third or fourth grade teacher, here's a measurement lesson that you can split into a couple of days. Here are the second, third and fourth-grade Common Core Standards the lesson covers:
Besides covering standards, another reason to incorporate this lesson into your distance learning is that Suzanne Kaufman's art is gorgeous. Whether there's a nor'easter raging outside your window or if it's simply an overcast day, Suzanne's art will fill your students' days with color. In addition to colorful artwork, the measurement lines next to each insect makes measuring easy.
Not only are the insects easy to measure, the activity includes a t-chart for students to record each measurement.
Fourth graders can record the measurements on a line plot.
In addition to giving fourth graders the opportunity to create a line plot, the activity also introduces the concept of an outlier, a data point that is significantly different than the rest.
No worries! There are answer keys for both parts of the activity which makes it less overwhelming for the teacher and the parent as well.
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Download this fun, Common Core activity here.
| bugs_measure_up.pdf |
This month I’m doing something a little different for my 20 in 2020 post. Instead of featuring twenty different books, I’m sharing a list of forty-four nonfiction titles collated by the incredibly organized, creative, kind and intelligent elementary librarian and author, Lisa Rogers, and me.
We created this list for part of our presentation at the Massachusetts School Library Association’s Annual Conference which was supposed to occur on March 29th and 30th. We had planned to have all of the titles on the list available for the attendees to browse through and sort in three different ways. If you click this link, you can print out the three different recording sheets attendees were going to use to sort the books. But you don’t have to be at a conference to do this activity, you can do it in your classroom, whether that’s at school or at home.
The first way attendees could choose to sort the titles would have been through text structure. The five nonfiction text structures are: 1) Cause and Effect; 2) Chronological/Sequential 3) Compare and Contrast; 4) Main Idea and Detail/Description; and 5) Problem and Solution. If you are unfamiliar with these text structures, watch the super-fun video below. Then, grab some of the informational texts you have at home, or check out some of the titles we suggest on our list, and sort them by text structure. Sometimes authors use more than one text structure in a book like Jason Chin does in Grand Canyon.
We created this list for part of our presentation at the Massachusetts School Library Association’s Annual Conference which was supposed to occur on March 29th and 30th. We had planned to have all of the titles on the list available for the attendees to browse through and sort in three different ways. If you click this link, you can print out the three different recording sheets attendees were going to use to sort the books. But you don’t have to be at a conference to do this activity, you can do it in your classroom, whether that’s at school or at home.
The first way attendees could choose to sort the titles would have been through text structure. The five nonfiction text structures are: 1) Cause and Effect; 2) Chronological/Sequential 3) Compare and Contrast; 4) Main Idea and Detail/Description; and 5) Problem and Solution. If you are unfamiliar with these text structures, watch the super-fun video below. Then, grab some of the informational texts you have at home, or check out some of the titles we suggest on our list, and sort them by text structure. Sometimes authors use more than one text structure in a book like Jason Chin does in Grand Canyon.
The second way attendees could choose to sort the titles would have been using Melissa Stewart’s 5 Types of Nonfiction. She wrote an article about the 5 Types of Nonfiction in School Library Journal’s May 2018 edition. On her website, she also provides a detailed lesson plan describing how to teach students about the five types of nonfiction: 1) Traditional Nonfiction; 2) Browseable Nonfiction; 3) Narrative Nonfiction; 4) Expository Literature; and 5) Active Nonfiction. Please click on one of the links in the paragraph to dive deep into an explanation of each of these types of nonfiction. Then, grab some of the informational texts you have at home, or check out some of the titles we suggest on our list, and sort them by the five types of nonfiction.
Finally, we were going to encourage attendees to look for Robert Probst and Kylene Beer’s nonfiction signposts in the texts. The nonfiction signposts are: 1) Contrasts or Contradictions; 2) Extreme or Absolute Language; 3) Numbers and Stats; 4) Quoted Words; and 5) Word Gaps. For me, signposts are an extremely powerful teaching tool because you can usually find one, some or all of the signposts in each book no matter its structure or its type. If you’re unfamiliar with the nonfiction signposts, check out the short videos below. Then, use the nonfiction signpost recording page and note the signposts! Have fun!
Finally, we were going to encourage attendees to look for Robert Probst and Kylene Beer’s nonfiction signposts in the texts. The nonfiction signposts are: 1) Contrasts or Contradictions; 2) Extreme or Absolute Language; 3) Numbers and Stats; 4) Quoted Words; and 5) Word Gaps. For me, signposts are an extremely powerful teaching tool because you can usually find one, some or all of the signposts in each book no matter its structure or its type. If you’re unfamiliar with the nonfiction signposts, check out the short videos below. Then, use the nonfiction signpost recording page and note the signposts! Have fun!